This paper, based on Nidas' Dynamic Equivalence principles and Reader's Response Theory, analyses the ways to deal with the culture-specific items in drama translation.

本文基于奈达的动态对等原则和读者反映论，分析了戏剧翻译中文化专有项的处理方式。

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Aesthetics of reception theory, target reader's response and other theories have enlightened the study of reader subjectivity.

接受美学、读者反应等理论给翻译过程中读者主体的研究予启发。

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This thesis is formed on the basis of reader's response emphasized in Nida's translation theory of Functional Equivalence.

本文以奈达的功能对等理论所强调的读者反应一致性为理论根基。

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